Britain is no longer the sole organizing centre for cultural studies. The contributors to this volume demonstrate how cultural studies has diffused into other English-speaking countries and how its original concerns have been renegotiated and changed. The result is a landmark book which provides students with an unrivalled guide to the international phenomenon of cultural studies.

Afraid of training with weights? Worried of putting on muscles? Think again. Strength training is for women. This book is the ultimate guide to toning up, burning fat and getting the body you want. It shows you why women should train with weights and why you should not be afraid of them. Dispelling the myth that weight training makes a woman 'bulky and unfeminine', the book shows that weights and resistance training methods could be the single most important element in your fitness regime. Packed with full-colour photos and descriptions of over 30 exercises, the book gives you advice on how to put together a resistance training programme as well as how to interchange exercises. Motivational, it also gives three 6-week workout programmes to achieve a stronger, fitter and firmer body. This is the ideal companion to get the best toned body you've always wanted. Strength training is for women.

Children of the 1950s have much to look back on with fondness: Muffin the Mule, Andy Pandy, and Dennis the Menace became part of the family for many, while for others the freedom of the riverbank or railway platform was a haven away from the watchful eyes of parents. The postwar welfare state offered free orange juice, milk and healthcare, and there was lots to do, whether football in the street, a double bill at the cinema, a game of Ludo or a spot of roller-skating. But there were also hardships: wartime rationing persisted into the '50s, a trip to the dentist was a painful ordeal, and at school discipline was harsh and the Eleven-Plus exam was a formidable milestone. Janet Shepherd and John Shepherd examine what it was like to grow up part of the Baby Boomer generation, showing what life was like at home and at school and introducing a new phenomenon - the teenager.

In Tin Pan Alley we see the beginnings of the pop world as we now know it: commercial, constantly capturing, exploiting or even occasionally creating a public mood. The Alleymen were workers as much as artists. This book, first published in 1982, explores how the change occurred, the ways in which songwriters organised themselves to get greater control over their products, the social circumstances that influenced their choice of subject-matter, the new forms, such as the integrated musical, developed for maximum appeal, the vast publicity structure built to market the merchandise, and, of course, the many stars who came to fame by taking a walk down the Alley.

The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.

The Villa Wolkonsky, Rome, is the incongruously named official residence of the British ambassador to Italy. Nestled within the city's Aurelian Wall, the site's history dates back to antiquity, its gardens dominated by the remains of a first-century imperial Roman aqueduct. In the 19th century a remarkable Russian princess, Zenaide Wolkonsky, turned it into a country home and salon d'art with such illustrious visitors as Gogol, Turgenev and Fanny Mendelssohn. Following generations excavated Roman tombs, collected antiquities and built a new grand mansion, before selling the Villa to the German government in 1922. It remained the German embassy, being much enlarged, until the Liberation of Rome in 1944. After the war the UK bought it, first as embassy offices and residence and, since 1971, as the residence for the ambassador and other staff. In this handsomely illustrated volume, Sir John Shepherd, former ambassador, has undertaken new research to debunk long-held myths and present, for the first time, a comprehensive history of this hidden Roman treasure.

Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.

eBook available with sample pages: HB:041506368X

"Rock and Popular Music" examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved. International in its scope and conception, this innovative collection brings together some of the most authoritative writers on rock and popular music in North America, Europe and Australia. The essays explore and develop three main areas of debate. First, comparative examinations of the role played by governments in either supporting or inhibiting the development of popular music industries reveal a significant diversity of relations between the state and the musical sphere. A second theme demonstrates the important role of broadcasting policies in organizing the "audio-spaces" within which particular musical communities can be formed and seek expression, and finally the book reconsiders some of the classical political issues of rock and popular music theory and debate in the context of their specific policy and institutional settings.

This collection constitutes a salutory demonstration that Britain no longer serves as the centre for cultural studies. Engaging the critical discourses of feminism, postmodernism and postcolonialism, the contributions explore the renegotiations and changes in cultural studies in the wake of its export from Britain. In particular, the volume shows how to understand the experiences of marginalized groups, including women and aboriginal peoples in postcolonial states. Questions about the ongoing globalization of capital and culture are linked to constructions of national, local and individual identities. The alternative relocations of cultural studies offered here manifest two not incommensurate trends: Some contributors consider how textual processes of representation articulate with exclusionary practices. Others keep alive a sense of politics in respect of institutional and policy debates. The result is an invigorated cultural studies which moves between theory and practice, gives primacy to tensions between extra-local centres of political and economic power, and considers lived experiences within their specific geo-cultural contexts.

From the recording industry in Canada to urban regeneration in Liverpool, this issue of Cultural Studies explores the role of the music industry in a changing world.

"Whose Music?" combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.

The primary aim is to create an accessible and practical guide to home brewing, covering all aspects of the process. The intended outcome is that somebody following the guide, would be able to brew a number of different style of beers of good quality and take pleasure from both the process and the end product. Practically, the book will also offer some introductory, but very useful, information on other issues that are relevant to the home brewer; equipment and the cost versus benefit of different types, beer styles and flavours and an understanding of key, quality ingredients. The photography will fit this approach in that images will be useful and show helpful details but also be professionally shot and be more than just functional; they will be good to look at. The style of the book will be engaging and personal, in that it is intended to guide the reader through the process as something enjoyable, rather than approach it in a purely step by step approach. It is also intended to be light-hearted and, above all, readable and so could be enjoyed by someone actually brewing beer or someone who just wants an interesting way into the topic.

In Tin Pan Alley we see the beginnings of the pop world as we now know it: commercial, constantly capturing, exploiting or even occasionally creating a public mood. The Alleymen were workers as much as artists. This book, first published in 1982, explores how the change occurred, the ways in which songwriters organised themselves to get greater control over their products, the social circumstances that influenced their choice of subject-matter, the new forms, such as the integrated musical, developed for maximum appeal, the vast publicity structure built to market the merchandise, and, of course, the many stars who came to fame by taking a walk down the Alley.

Over thirty years later, the 'winter of discontent' of 1978-79 still resonates in British politics. On 22 January 1979, 1.5 million workers were on strike and industrial unrest swept Britain in an Arctic winter. Militant shop stewards blocked medical supplies to hospitals, mountains of rubbish remained uncollected, striking road hauliers threatened to bring the country to a standstill. Even the dead were left unburied. Within weeks, the beleaguered Callaghan Labour government fell from power. In the 1979 general election, Margaret Thatcher became Prime Minister, beginning eighteen years of unbroken Conservative rule. Based on a wide range of newly available historical sources and key interviews, this full-length account, now available in paperback, breaks new ground, analysing the origins, character and impact of a turbulent period of industrial unrest. -- .

Excavations in the upper Walbrook valley, in a marginal area in the north-west of the Roman city, recovered over 70kg of broken vessel glass and production waste from a nearby workshop, giving new insights into the workings of the glass industry and its craftsmen. The area was developed in the early 2nd century AD, with evidence of domestic buildings and property boundaries. Two later buildings constructed in the mid 2nd century AD may have been associated with the glass-working industry. The disposal of a huge amount of glass-working waste in the later 2nd century signals the demise of the workshop, with the area reverting to open land by the 3rd century AD. The comprehensive nature of the glass-working waste has made it possible to study the various processes - from the preparation of the raw materials in the form of cullet, broken vessel and window glass, to the blowing and finishing of the vessel. All the glass originated ultimately in the eastern Mediterranean, some of it arriving as raw glass chunks, which was supplemented by cullet collected locally for recycling. A review of the current evidence for glass working in London also examines the implications for the organisation of the industry.

British labour history has been one of the dominating areas of historical research in the last sixty years and this book, written in honour of Professor Chris Wrigley, offers a collection of essays written by leading British labour historians of that subject including Ken Brown, Malcolm Chase and Matthew Worley. It focuses upon trade unionism, the co-operative movement, the rise and fall of the Labour Party, and working-class lives, comparing British labour movements with those in Germany and examining the social and political labour activities of the Lansburys. There is, indeed, some important work connected with the cultural developments of the British labour movement, most obviously in the essay written by Matthew Worley on communism and Punk Rock. -- .

The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.

Over thirty years later, the 'winter of discontent' of 1978-1979 still resonates in British politics. On 22 January 1979, one and a half million workers were on strike. Industrial unrest swept Britain in an Arctic winter. Militant shop stewards blocked medical supplies to hospitals; mountains of rubbish remained uncollected; striking road hauliers threatened to bring the country to a standstill; even the dead were left unburied. Within weeks, the beleaguered Callaghan Labour Government fell from power. In the 1979 general election, Margaret Thatcher became Prime Minister, beginning eighteen years of unbroken Conservative rule. Based on a wide range of newly available historical sources and key interviews, this full-length account breaks new ground, analysing the origins, character and impact of a turbulent period of industrial unrest. This important study will appeal to all those interested in contemporary history and British politics.